|
|
The Stone Drums of Qin or Qin Shi Gu
(Chinese: 秦石鼓; Wade━Giles:
Ch'in Shih Ku) are ten granite boulders bearing the oldest known
"stone" inscriptions in ancient Chinese (much older inscriptions
on pottery, bronzes and the oracle bones exist). Because these inscribed
stones are shaped roughly like drums, they have been known as the Stone
Drums of Qin since at least the 7th century. |
|
|
Shigu is called the "hunting Gar", is the
earliest extant text China stele, cause a group of ten Steamed Buns shaped
granite stone, each about 1 meters in diameter, weighing about 1 tons.
Similar to the ten seat Shigu shape, narrow width, the shape of the drum,
hence the name "Shigu". In the drum shaped stone engraved with
the seal character, later known as the stone. The stone is the characters
of our country the earliest stone, "CHANGJEI said, if installed
Xiaozhuan progenitor". Qin Wen Zhuan belongs to class, between the
inscriptions of the Western Zhou Dynasty and Qin Xiaozhuan, also known as
"China's majuscul seal script", the development of writing an
important part of the chain, it is also said to be the ancestor Chinese
characters today". |
|
|
|
这些文字记录着秦统一前的历史。据唐兰的考证,石鼓上的文字是十首一组的史诗,记述了周王太史来秦宫与王出游的故事。 |
Like
their discovery, the details of their origin have also long been subject
to debate. While most now agree that they were made at the behest of a
Duke of the feudal state of Qin (秦 Ch'in),
the century of their creation is still uncertain; It
is very likely that these artifacts date to the late Spring and Autumn
period(576 to 537 BCE). |
|
|
|
The ancient inscriptions on them are
arranged in accordance with each stone's size and proportions, the largest
stone bearing fifteen lines of five characters each, and a smaller one
with nine lines of eight graphs each, neatly arranged as if in a grid. The
contents are generally four-character rhymed verse in the style of the
poems of the Shijing (诗经), the Book of
Poetry, a few lines of which they even paraphrase. The contents generally
commemorate royal hunting and fishing activities.
Originally thought to bear about 700
characters in all, the Stone Drums were already damaged by the time they
are mentioned in the Tang Dynasty (618-907 CE) poetry of Du Fu. The drums
had only 501 graphs by the Song Dynasty (960-1279 CE), when the best
rubbings now surviving were made (Mattos, p. 57. Cf. Guo Zhongshu). They
have been further damaged through rough handling and repeated rubbings in
the years since, and one was even converted into a mortar, destroying a
third of it. A mere 272 characters are visible on the stones today. In the
best rubbing, only 470 of the 501 characters are legible, or about 68%;
after omitting repeated graphs, this leaves us with a treasury of 265
different graphs, 49 of which are known from no other source (excluding
recognizable variants). Even among recognizable graphs, scores of them are
used in ways unattested elsewhere, leading to great difficulty and
disagreement in their interpretation, a situation common to Zhou dynasty
inscriptions. |